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Architecture in the "Stalinist Empire" style in the cultural landscape of Crimea.
Kotliar E.R., Zolotukhina N.A., Zolotuhina A.Y.
Masters of decorative and applied art of the Spassky Factory of artistic ceramics in search of a unique style
Chernova A.V., Vasileva E.A., Fedorovskaya N.A.
The Spanish-Moorish Mudekhar code in the Crimean cultural landscape
Kotliar E.R., Khlevnoi V.A.
Academic and mass genres in the works of M. Magomayev
Kaloev A.T., Lashcheva E.V.
"Qi-Pai" as a phenomenon of the musical culture of China in the 20th century: an example of the opera "The Gray-haired Girl"
Luo J., Chernova A.V.
The embodiment of Chinese poetry in the cycle "Songs of a Traveler" by G. Sviridov
LI L.
Features of Portuguese colonial architecture in South Asia in the period from XVI to XVIII centuries.
Chen' K.
Key aspects of the evaluation and attribution of Chinese art porcelain in the early 21st century: towards the formulation of the problem.
Zhou L.
The Issues of Design of the Leningrad Porcelain during the "Thaw" Period: Organic Style vs Functionalism
Shik I.A.
The objective world of Soviet everyday life in illustrated books for children of the 1950s and 1960s
Korvatskaya E.S.
Transformation of traditional artistic symbols in contemporary decorative and applied arts (case study of interior textiles in the context of the "Guochao" phenomenon)
Luo D.
The image of St. Jerome in the art of Titian. Problems of the study of iconography and the creative method of the artist.
Marchenko N.A.
Modern design: a historical choice in favor of globalization
Pankratova A.V.
Chinese Oil Painting Status in Context of Globalization and Intercultural Communication: Cultural Translation, Identity, and Art Markets
Wang S.
The Semantics of the Color Experiment in Boris Poplavsky's Artistic Discourse
Bezrukov A.N.
The theme of the family in Soviet and Chinese woodcuts of the 1930s-1950s.
Wu G.
Current trends in the innovative development of Miao folk art in contemporary design in China.
Bi X., Uvarov V.D.
The local and ethnic specifics of Yunnan in the work of modern Chinese artists: an "inside" and "outside" view
LAI F., Fedorovskaya N.A.
The influence of European Baroque architecture on Chinese Baroque architecture
Syuezhui V.
The originality of Chinoiserie-style garden architecture in England in the XVIII century
Yu Z.
Advertising banner in the exterior of the historical part of the urban environment: at the junction of art and marketing (Yelets' experience)
Razvodova I.A.
Historical examples and modern application of the "Chinese style" in the art of British interior design
Xia Z.
Variations on the theme of "ballet" in the works of Eric Satie
Porubina M.V.
1 - 23 of 23 Items

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