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Edição
Título
Autores
Artistic and industrial culture of the first quarter of the XXI century: key concepts, strategies, and principles
Kozlovskiy V.
"Body-oriented" propaedeutics in design: rhythmic and compositional shaping techniques
Filonenko N., Tretyakova M., Tipikin V., Kazakova N.
Design as meaning formation: Western and Eastern approaches
Tretyakova M., Kazakova N.
Multifunctionality as a Basic Principle of Design
Zhukova I., Barsukova N.
"Soviet aesthetics" in the design of China and North Korea
Tretyakova M., Kazakova N.
“Somaesthetic design” as a tool to develop the consumer's somatic consciousness
Filonenko N., Kazakova N.
The methodology of design culture based on Vladimir Tatlin's constructivism
Zhou S.
Japandi: between Nordic and Japanese design
Tretyakova M., Kazakova N., Kravchuk S.
The Issues of Design of the Leningrad Porcelain during the "Thaw" Period: Organic Style vs Functionalism
Shik I.
The role of regional culture in the urban landscape of the embankment
Yue z.
Art in design. The specifics of creating a visual image of a musical and artistic event
Demidova M.
The development of Chinese tourism poster in the period from the 1950s to the 2020s
zhang c.
The Features of Tea Packaging Design in China
Yu B.
Late Soviet and Modern Russian Design: in Search of Identity
Tretyakova M., Kazakova N.
Innovative Practices in Contemporary Chinese Industrial Ceramic Design: Portability, Biodesign, and Materials
Xie J.
The "Embodied approach" in design: the way to the East
Filonenko N.
Modern design: a historical choice in favor of globalization
Pankratova A.
The Origins of Leningrad Tapestry: To the Question of the Formation of a Regional School
Shirokovskikh M.
Advertising banner in the exterior of the historical part of the urban environment: at the junction of art and marketing (Yelets' experience)
Razvodova I.
Dynamics of nostalgic images: the case of Pavel Leonov
Volodina A.
Conceptual approaches to the design of advertising and information support for the exhibition of contemporary art
Sonina O.
Study of birch bark handicrafts of the Oroqen people in China
ZHANG X.
The use of felt from its origins to the present day
Nikitina I.
Current trends in the innovative development of Miao folk art in contemporary design in China.
Bi X., Uvarov V.
To the problem of corporeality in design: the experience of "phenomenological" architecture
Filonenko N., Tretyakova M., Kazakova N.
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