Pesquisa

Edição
Título
Autores
The concept of the image in Plato's philosophy and its variations in the history of culture
Dubovitskii V.
About the specifics of mythodesign in social networks
Darchinov E.
Transformation of the image of Baba Yaga performed by George Millar in the films of Alexander Rowe
Shumov M.
Individual images of holy wives in ancient Russian iconography of the XIV–XVI centuries
Pshenichnyi P.
The influence of technology on the formation of the photographic image: a series of photographs by Michal Rovner "Outside"
Trofimov F.
The philosophy of symbiosis in the reception of the dragon image in Chinese culture
Wang X.
Themes of Chinese painting and their evolution in the process of development of pictorial art
Yan B.
The image of Moscow in modern Chinese textbooks of Russian as a Foreign language for higher education institutions
Barsukova E., Zhang Y.
Trends in the study of the image of a modern man in the art of Russia at the beginning of the XXI century
Zhang M.
The archetypal image of the "Promised Land" in the Russian Utopia
Petrova R.
Aesthetic quests of early French romanticism. Joseph Joubert
Mankovskaya N.
Principles of color formation in Chinese painting and ceramic painting
Wang X.
Epistemological specificity of art: from the «psychophysiology» of the primitive world to the «practical philosophizing» of the modern era.
Demenev D.
Between the Visible and the Audible: Two Faces of Collective Memory
Novikova V.
The image of world in Vasiliy Rozanov's creativity
Akimov O.
"Anfisa" by L. Andreev: early theatrical productions. Pavel Samoilov as Fyodor Kostomarov (New Dramatic Theatre, 1909), Ekaterina Roshchina-Insarova as Anfisa (K. Nezlobin Theatre, 1910)
Samsonenko A.
A. Durer's "Apocalypse": an attempt at a philosophical interpretation of the space-time problems of the cycle of engravings
Bagrovnikov N., Fedorova M.
Ontological foundations of motherhood
Mordas E.
Historical costumes in films of the Wuxia genre: origins and interpretation
Wang X.
Image and text: to the question of textual sources of typological parallelism in the Iconography of Western European Art of the XII century.
Sycheva I.
The concept of «kitsch» in M. Kundera's novel «The unbearable lightness of being» and its artistic solution in the film adaptation of the same name by F. Kaufman
Bykova N.
The Dog in Universal Cultural Denotations and Biblical Connotations
Markova N.
Color antithesis as one of the main semantic concepts of Terrence Malick's film «Days of Heaven»
Bykova N.
"Bullfinches of the North": children's portraits of V.A. Igoshev from the funds of the state museums of Ugra
Galyamov A.
Sound image as a tool of representation of difficult heritage
Novikova V.
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