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Title
Authors
Designing exhibitions of Chinese art in Soviet Art Museums: from collectible to problematic method
Wu M.
Discussions about the essence and features of traditional Chinese culture.
Yang C.
Cultural practice of painting by Chinese literati: issues of inheritance in the digital age
Li X., Bagrova N.V.
Gender symbolism in the cultural code of Chinese socialist realism painting.
In' F.
The interaction of traditional Chinese and Western musical instruments in Tang Dong's work as a multicultural dialogue
Litvikh E.V., Liu Y.
Historical examples and modern application of the "Chinese style" in the art of British interior design
Xia Z.
The tragedy in ancient Greek and Chinese literature
Yang C.
Chinese Opera of the 20th-21st Centuries
Wang Y.
"Qi-Pai" as a phenomenon of the musical culture of China in the 20th century: an example of the opera "The Gray-haired Girl"
Luo J., Chernova A.V.
Major trends in the development of modern fiber art in China
Zhang C.
The genre phenomenon of the piano concerto "Yellow River"
Sui I.
Iconography and narrative features of tomb images in genealogical books of Huizhou during the Qing dynasty.
Hu H.
The spiritual essence of Chinese seascape art
Li Y.
Chou Wen Chung's Variable Modes in the Process of Development and Transformation
Tang T.
The Imaginary Beast-the Phoenix Sign as the Bearer of the Chinese Bestial Cultural Code: the Evolution of Meanings
Yuan' M.
Interpretation of the symbols of "snow painting" in Chinese art as a reflection of the process of changes in national religious, philosophical and aesthetic concepts
Chang R.
Turandot on the Chinese Opera Stage: The Challenges of Adapting the Western Opera Canon
Peng C.
Transformation of traditional artistic symbols in contemporary decorative and applied arts (case study of interior textiles in the context of the "Guochao" phenomenon)
Luo D.
The development of Chinese tourism poster in the period from the 1950s to the 2020s
zhang c.
The evolution of the coloristic of Chinese painting of the Tang, Song and Yuan periods (VII-XIV centuries) — from color to ink
Wang S.
Development of inbound extreme tourism from Southeast Asian countries in the Republic of Sakha (Yakutia).
Ivanov M.V.
"Body-oriented" propaedeutics in design: rhythmic and compositional shaping techniques
Filonenko N.S., Tretyakova M.S., Tipikin V.V., Kazakova N.Y.
Ethnocultural characteristics of color in the religious painting of nomadic peoples in Northern China
Zhang I.
Chinese plants images in the painting of Meissen porcelain products
Lyakhovich E.V.
Features of artistic presentation of images of people's leaders in the context of the development of the system of realistic painting in China in the XX – early XXI century
Han D.
1 - 25 of 64 Items 1 2 3 > >> 

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