Interpretation of the Text as the Basis for the Formation of Evocativeness

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Abstract

The article discusses the concepts of interpretation, understanding and evocativeness, which are key to the analysis of theatrical and film discourse. Interpretation acts in creative activity both as one of the necessary conditions and as a cognitive mechanism for the formation of evocativeness in theatrical and film productions. The author pays special attention to the correlation of the phenomenon of efficiency and experience, evocativeness and super-tasks, and also analyzes in detail the types, levels and stages of interpretation.

About the authors

Assol Alekseevna Ovsyannikova

Moscow State Linguistic University

Author for correspondence.
Email: oassol@mail.ru

Senior Lecturer at the Department of Languages and Cultures of CIS Countries and the Near Abroad 

Russian Federation

References

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