Multilingual Component of Conlang on the Example of Minionese

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Abstract

In literature and cinema, fictional author’s languages, often singled out among constructed languages, serve as a large-scale artistic device, performing a world-forming or plot-forming role and offering additional distinctive qualities to characters. The creative component of this linguistic construct has a significant scientific and cultural potential and reflects the linguistic diversity of the surrounding world.

About the authors

Xenia Sergeevna Kulikova

Moscow State Linguistic University

Author for correspondence.
Email: xenia_kulikova@inbox.ru

PhD (Philology), Associate Professor at the Department of English Phonetics Faculty of the English Language Moscow State Linguistic University

Russian Federation

References

  1. Rogers, S. D. (2011). The Dictionary of Made-Up Languages: From Adûnaic to Elvish, Zaum to Klingon – the Anwa (Real) Origins of Invented Lexicons. Coon Rapids: Adams Media.
  2. Peterson, D. J. (2015). The Art of Language Invention: From Horse-Lords to Dark Elves, the Words Behind World-Building. NY: Penguin.
  3. Conley, T., Cain, S. (2006). Encyclopedia of Fictional and Fantastic Languages. Westport: Greenwood Publishing Group.
  4. Rosenfelder, M. (2010). The Language Construction Kit. Amazon: Kindle.
  5. Rosenfelder, M. (2013). The Conlanger’s Lexipedia. Amazon: Kindle.
  6. Watkins, C. (2000). The American Heritage Dictionary of Indo-European Roots. Boston: Houghton Mifflin Harcourt.

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