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Artistic Space and Artistic Time in V. Y. Brusov’s Novel “The Fiery Angel”
- Authors: Shchukina Z.V.1
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Affiliations:
- Russian State University for the Humanities
- Issue: No 3(884) (2024)
- Pages: 151-154
- Section: Literary criticism
- URL: https://journals.rcsi.science/2542-2197/article/view/316421
- ID: 316421
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Abstract
The article considers two text-forming categories of any aesthetically significant work - the categories of artistic space and artistic time. On the basis of the analysis of these categories in V. Y. Brusov’s novel “The Fiery Angel” it is concluded that the artistic space of the work acts as a spatium-opposition, representing as its “members” the real and irreal space, while the artistic time in the novel, being a complexly organized structure, includes several “times” interacting with each other in different ways.
About the authors
Zhanna Vasilyevna Shchukina
Russian State University for the Humanities
Author for correspondence.
Email: vani7375@mail.ru
PhD student Russian State University for the Humanities
Russian FederationReferences
- Tyupa, V. I. (2021). Gorizonty istoricheskoy narratologii = Horizons of historical narratology. St. Petersburg: Alateya.
- Bakhtin, M. M. (1975). Formy vremeni i khronotopa v romane = Forms of time and chronotope in the novel. In Bakhtin, M. M., Voprosy literatury i estetiki. Moscow: Khudozhestvennaya literatura. (In Russ.)
- Lotman, Yu. M. (1988). Khudozhestvennoye prostranstvo v proze Gogolya = Artistic space in Gogol’s prose. In Lotman, Yu. M., V shkole poeticheskogo slova: Pushkin, Lermontov, Gogol’ = In the School of Poetic Word: Pushkin, Lermontov, Gogol. Moscow: Prosveshchenie.
- Ricoeur, P. (2000). Vremya i rasskaz = Time and the Story. Moscow; St. Petersburg: Universitetskaya kniga. (In Russ.)
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