The Individual Author’s Concept "Mar / Sea" and Its Verbal Representation in the Poetry of Sophia de Mello

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Abstract

The article presents the results of a lingua-cognitive analysis of the individual author’s concept "mar / sea" of the Portuguese poet Sophia de Mello (1919-2004). A component-field model used to reconstruct the structure and content of this concept allows analyzing it as a unity of several components: perceptual, denotative, tropeic, associative, symbolic and mythological and shows the richness of its meaning.

About the authors

Varvara Aleksandrovna Makhortova

Moscow State Linguistic University

Author for correspondence.
Email: varvara2504@mail.ru

PhD student, Senior Lecturer of the Portuguese Language Department, Faculty of Translation and Interpreting

Russian Federation

References

  1. Kozhevnikov, V. M., Nikolaev, P. A. (Ed.). (1987). Literaturnyj enciklopedicheskij slovar’ = Literary Encyclopedic Dictionary. Moscow: Sovetskaya enciklopediya. (In Russ.)
  2. Tarasova, I. A. (2004). Poeticheskij idiostil’ v kognitivnom aspekte (na materiale poezii G. Ivanova i I. Annenskogo) = Poetic idiostyle in the cognitive aspect (based on the poetry of G. Ivanov and I. Annensky): Senior Doctoral thesis in Philology. Saratov. (In Russ.)
  3. Maslova, Zh. N. (2011). Poeticheskaya kartina mira i ee reprezentaciya v yazyke = The poetic picture of the world and its representation in language: Senior Doctoral thesis in Philology. Tambov.
  4. Passos, T. F. (2009). Escritos Voando no Tempo (ensaios dispersos em jornais e revistas) = Records flying through the time (essays from newspapers and magazines). São Paulo: Escrituras Editora.
  5. Langrouva, H. C. (2002). Sea-Poetry of Sophia de Mello Breyner Andresen: The Poetics of the Space and Voyage I. Revista Brotéria, 154, 431–446. Lisboa.

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