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Music and Songs as an Important Part of Musical Ekphrasis in W. Shakespeare’s Sonnets
- Authors: Stepanov A.A.1
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Affiliations:
- Moscow State Linguistic University
- Issue: No 5(886) (2024)
- Pages: 142-148
- Section: Literary criticism
- URL: https://journals.rcsi.science/2542-2197/article/view/303561
- ID: 303561
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Abstract
The article is devoted to the analysis of the phenomenon of musical ekphrasis in W. Shakespeare’s sonnets, namely to one of the most vivid aspects –the depiction of “music and songs”. The “music and songs” group has been distinguished by the author through taking the system-oriented approach and comparative analysis. As for the theoretical basis for the problem of image itself, the author uses the works of L. Geller, V. A Milovidov, A. G. Sidorov, V. V. Shilin and etc.
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About the authors
Artyom Alexeyevich Stepanov
Moscow State Linguistic University
Author for correspondence.
Email: Artyom-Stepanov2-17-51@yandex.ru
postgraduate student, Department of Russian and Foreign Literature
Russian FederationReferences
- Geller, L. (2002). The Return of the Concept or Word on Ekphrasis. Ekfrasis v russkoi literature = Ekphrasis in Russian literature. Moscow: MIK. (In Russ.)
- Solovyova, E. E. (2016). Musical code and musical ekphrasis. Stephanos, 16(2), 119–128. (In Russ.)
- Shilin, V. V. (2019). Slovar’ literaturovedcheskih terminov = Dictionary of literary terms. Moscow: Kanon+ ROOI Reabilitation. (In Russ.)
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