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S. А. Klychkov’s Idiostyle and the Discussion about Language
- Authors: Solntseva N.M.1
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Affiliations:
- Lomonosov Moscow State University
- Issue: No 3(897) (2025)
- Pages: 122-128
- Section: Literary criticism
- URL: https://journals.rcsi.science/2542-2197/article/view/286507
- ID: 286507
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Abstract
The purpose of the article is to identify the stylistic dominants of S. A. Klychkov’s prose in the context of the discussion about language in 1934. The material of the study was the novels of the 1920s «The Sugar German», «Chertukhinsky Balakir», «Prince of World». The methods of text analysis are hermeneutical, comparative, historical and literary, biographical ones. It is concluded that the combination of ornamental, verse-like prose and folk tale reveals in Klychkov’s creative manner two narrators, between whom there is no formal boundary and who are mentally united. Metaphors, comparisons, the versioned composition of the text, metrical fragments are fused with live speech, which is explained by the narrative principle «combination of words». The position on the connection between the idiostyle and the social portrait of the writer, which was voiced during the discussion, was preceded by the attitudes of orthodox criticism of the 1920s.
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About the authors
Natalya Mikhailovna Solntseva
Lomonosov Moscow State University
Author for correspondence.
Email: natashasolnceva@yandex.ru
Doctor of Philology (Dr. habil.), Professor, Professor of the Faculty of Philology
Russian FederationReferences
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