Peculiarities of Translation of Non-Standard Syntax in French Prose of the 20th Century

The subject of the research is the translation of syntactically non-standard prose of 20th-century French literature into Russian. The object of analysis is syntactic deviation as an expressive means and its transformation in the translation process. The author examines in detail such aspects as the strategy of translating syntactic deviations, their adaptation or preservation depending on the stylistic guidelines of the original text, as well as the degree of translation normativity in the context of intercultural communication. Particular attention is paid to the influence of genre specificity and the intended readership on the choice of translation strategy. The focus is on the methods of conveying the rhythmic-intonational structure, expression and non-standard construction of the phrase, characteristic of the prose of Guillaume Apollinaire. The analysis is based on the material of the novel "Les Onze Mille Verges" and its Russian translation by Arnaut Skard-Lapidus. The work highlights the problem of compromise between the normativity of the target language and the preservation of the author's expression, revealing translation as a form of interpretation with a certain aesthetic and functional vector. The methodological basis of the study is a comparative analysis of the original and translation, a linguostylistic approach and principles of functional equivalence, which allow us to identify translation transformations at the level of syntax and stylistics. The main conclusions of the study are the confirmation of the hypothesis about the translator's dual strategy: the desire to preserve the syntactic expression of the original while simultaneously adapting the text to the norms of the Russian language. The author's special contribution is the systematization of approaches to the transmission of syntactic deviations and the identification of the dependence of these approaches on genre-stylistic and cultural parameters. The novelty of the study lies in the comprehensive analysis of one work in the original and translation at the level of syntax, as well as in highlighting the problem of stylistic norms in the translation of experimental prose.

translation, non-standard syntax, intercultural translation, Guillaume Apollinaire, Arnaut Skard-Lapidus, expression, stylistics, adaptation, translation strategies, difficulties in translation