| 期 |
标题 |
文件 |
| 卷 3, 编号 4 (2023) |
Semiotics of V. Nabokov’s artistic language in the light of N. Goodman’s theory of symbolization |
(Rus)
|
|
Shevchenkp E., Gerchenova D.
|
| 卷 3, 编号 4 (2023) |
The role of urban space in А. Ilichevsky's novel "Newton's drawing" |
(Rus)
|
|
Tutelova L., Sidorenko L.
|
| 卷 3, 编号 4 (2023) |
Samara space in Dina Rubina's novel «Petrushka's syndrome» |
(Rus)
|
|
Levina P., Perepelkin M.
|
| 卷 3, 编号 4 (2023) |
Rainbow as a covenant in I.A. Bunin's spiritual lyrics: semiotics of the sacred. Article 1. Introduction to the problem. Sacred in the works of I.A. Bunin |
(Rus)
|
|
Karpenko G.
|
| 卷 3, 编号 4 (2023) |
The phenomenon of creative self-reflection and the problem of creating a biography of the writer |
(Rus)
|
|
Golubkov S.
|
| 卷 3, 编号 3 (2023) |
The modernity artistic metanarrative and the 19th century novel structure |
(Rus)
|
|
Rymar N.
|
| 卷 3, 编号 3 (2023) |
Statement authenticity and “sign functioning” in communication between “deaf-blind and regular persons” (based on O. Skorokhodova’s works) |
(Rus)
|
|
Nechaeva E.
|
| 卷 3, 编号 2 (2023) |
Volga text: streaming down to definition |
(Rus)
|
|
Morozova K.
|
| 卷 3, 编号 2 (2023) |
Transformations of the travelogue genre in the essays by A. Ulanov |
(Rus)
|
|
Zalomkina G.
|
| 卷 3, 编号 2 (2023) |
Samara within the scope of “The Eighteenth Year” novel by A.N. Tolstoy |
(Rus)
|
|
Vorontsova G.
|
| 卷 3, 编号 2 (2023) |
Studying the Russian culture Voronezh text at Voronezh State University |
(Rus)
|
|
Ternova T.
|
| 卷 3, 编号 1 (2023) |
Provincial town as a spatial model in the satirical and humorous literature |
(Rus)
|
|
Golubkov S.
|
| 卷 3, 编号 1 (2023) |
Internet space in the contemporary drama about teenagers |
(Rus)
|
|
Kabilova Е.
|
| 卷 3, 编号 1 (2023) |
Semiotics of the city in the sketches by N. Garin-Mikhailovsky «In the hustle and bustle of the provincial life» |
(Rus)
|
|
Perepelkin M.
|
| 卷 3, 编号 1 (2023) |
Mnemonic narrative method in the trilogy by Agota Kristof (“The Notebook”, “The Proof”, “The Third Lie”) |
(Rus)
|
|
Sundukova K.
|
| 卷 2, 编号 4 (2022) |
Samara the fantastic |
(Rus)
|
|
Kazarina T.
|
| 卷 2, 编号 4 (2022) |
Historicism as an aspect of novel thinking |
(Rus)
|
|
Zhuravleva О.
|
| 卷 2, 编号 4 (2022) |
Ilf’s «Zapisnye Knizhki» [Sketch Books] of 1930s as the proof of social realistic discourse formation |
(Rus)
|
|
Pozdnyakov K.
|
| 卷 2, 编号 3 (2022) |
Oh brave new world of A.K. Goldebaev |
(Rus)
|
|
Morozova K.
|
| 卷 2, 编号 3 (2022) |
S. Lem as a literary theorist: an existentialist underneath the mask of a structuralist |
(Rus)
|
|
Darenskiy V.
|
| 卷 2, 编号 3 (2022) |
Semiotic capacity of insanity: thought disorder modelling as a tool for possible text world making (based on texts by S. Lem) |
(Rus)
|
|
Smerdowa E.
|
| 卷 2, 编号 3 (2022) |
Poetics of the variant. N.G. Garin-Mikhailovsky’s stories in the Samara periodicals of the 1890s-1900s. |
(Rus)
|
|
Perepelkin M., Perepelkin I.
|
| 卷 2, 编号 2 (2022) |
Published at the expense of N. Garin-Mikhailovsky: R. Zimmerman and his book «Kulak-usury, its socio-economic significance» through the eyes of the publisher |
(Rus)
|
|
Pelevina O.
|
| 卷 2, 编号 2 (2022) |
«The collapse» of engineer Garin: N.G. Garin-Mikhailovsky and A.N. Tolstoy |
(Rus)
|
|
Perepelkin M.
|
| 卷 2, 编号 2 (2022) |
The dimensional outlook levels of the writer N.G. Garin-Mikhailovsky |
(Rus)
|
|
Golubkov S.
|
| 卷 2, 编号 2 (2022) |
“Orchid” by N.G. Garin-Mikhailovsky: features of the playwright’s communicative strategies |
(Rus)
|
|
Tyutelova L., Ivanova V.
|
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