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Issue
Title
Authors
No 11 (2025)
On the technical and expressive features of Chinese cello music, using the example of the cycle "Seven Tunes Heard in China" by Sheng Zongliang (Bright Sheng)
Litvikh E.V., Shi J.
PDF
(Rus)
No 7 (2025)
Gnostic images in the visual culture of modernity
Pozharov A.I.
PDF
(Rus)
No 3 (2025)
Toward the Origins of the Concertmaster-Pianist’s Profession: The Art of Maestro al Cembalo
Kalitzky V.V.
PDF
(Rus)
No 2 (2025)
"There is no shakier reflection of the word...": Shakespeare in the translations of Tatiana Shchepkina-Kupernik
Liubivaia I.Y.
PDF
(Rus)
No 10 (2024)
Wang Chao's "Journey": towards the problem of the "Ecological" trend in the contemporary choral work of Chinese composers
ZHOU Z.
PDF
(Rus)
No 8 (2024)
Interactive video installation "Millennials": convergent approach in education and Collective Performance
Magidovich M.L., Iushchenko U.A.
PDF
(Rus)
No 10 (2025)
Ancient Russian vocal art in the modern cultural space: mechanisms of actualization and transmission of the cultural code
Krasova M.V.
PDF
(Rus)
No 6 (2024)
About the ways of giving musical meaning
Chuprova I.A.
PDF
(Rus)
No 10 (2025)
Choreographic interpretation of classical Russian Literature, exemplified by B. Eifman's Ballet Theatre ("Idiot" and "Anna Karenina", based on the novels of same name by F. Dostoevsky and L. Tolstoy respectively).
Pichueva A.A.
PDF
(Rus)
No 8 (2023)
The symbolism of the mask in the theatrical art of the West and East
Jin C.
PDF
(Rus)
No 7 (2025)
The features of the musical embodiment of Chinese poetry in the vocal cycle "Songs of the Wayfarer" by G. Sviridov.
LI L.
PDF
(Rus)
1 - 11 of 11 Items

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