M. Gorky’s play «At the Bottom» on the Arabian stage (a history of its staging)

Maxim Gorky's play «At the Bottom» had a significant impact on the development of the Arab theatrical tradition, becoming not only an object of stage adaptations, but also an important tool for comprehending acute social and philosophical problems. Themes such as poverty, social inequality, alienation and the search for human dignity proved to be close and relevant to Arab audiences, especially in the context of the colonial and post-colonial experience. Arab productions of “At the Bottom” have demonstrated the high potential of Gorky's work as a source for theatrical experimentation, creative interpretation and intercultural dialog. Arab directors and playwrights, adapting the play to local realities, emphasized the universality of its problems, while revealing the national peculiarities of the perception of social injustice. Thus, «At the Bottom» became not only an example of the artistic influence of Russian literature on the Arab theater, but also an important stage in the development of social realism in Arab dramaturgy. The play's influence is still felt today – it continues to inspire new authors, contributing to the formation of critical consciousness and stimulating public debate on issues of morality, freedom and social responsibility.

Maxim Gorky, play «At the Bottom», Arab theater, social realism, theatrical adaptation, cultural dialogue, social injustice, philosophy, Arab dramaturgy, stage, directorial interpretations, Arab culture, postcolonial problems