Philosophical Basis of Folklore Text and Its Screen Adaptations
- 作者: Konurbaev S.M.1,2
-
隶属关系:
- Lomonosov Moscow State University
- Institute of Modern Art
- 期: 卷 16, 编号 3 (2025): Phraseology. Paremiology. Culture: on the anniversary of V.M. Mokienko
- 页面: 962-976
- 栏目: FUNCTIONAL SEMANTICS
- URL: https://journals.rcsi.science/2313-2299/article/view/354204
- DOI: https://doi.org/10.22363/2313-2299-2025-16-3-962-976
- EDN: https://elibrary.ru/CAJQSE
- ID: 354204
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Folklore texts, being products of folk consciousness, undergo significant transformations, conditioned by socio-historical factors of community development and related cognitive changes within the culture. the transformation of folklore texts is carried out in the direction from the transmission of sacred knowledge and ontological explanation of existence to entertainment. the mechanisms of this transformation are examined through the main philosophical components of the folklore text - ontological, axiological, epistemological and teleological, placed in different sociocultural contexts. the new interdisciplinary approach allows us to trace the historical development of folklore texts from ancient myths to modern adaptations, as well as to outline the cognitive shifts associated with changes in the philosophical paradigm. the transformation of the philosophical paradigm of the folklore text is illustrated by the example of such famous stories as “cinderella” and “Beowulf”.
作者简介
Salavat Konurbaev
Lomonosov Moscow State University ; Institute of Modern Art
编辑信件的主要联系方式.
Email: salavat@konurbaev.ru
ORCID iD: 0009-0009-0418-1113
SPIN 代码: 2360-2517
Postgraduate student at the Department of English Linguistics, Faculty of Philology, Lomonosov Moscow State University ; teacher at the Department of Film and Television Directing, Institute of Modern Art
51-1, Leninskie Gory, Moscow, Russian Federation, 119991; 4, bld. 15, Ivan Franko St., Moscow, Russian Federation, 121108参考
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