Approbation of the aesthetic emotions scale on a russian sample

封面

如何引用文章

全文:

开放存取 开放存取
受限制的访问 ##reader.subscriptionAccessGranted##
受限制的访问 订阅存取

详细

There are practically no studies devoted to aesthetic experience in the Russian psychological literature; this may be due to the lack of techniques by which aesthetic judgments, emotions, and meanings — the key components of aesthetic experience — can be measured. The purpose of the study is to approbate the Aesthetic Emotions Scale (AESTHEMOS) on a Russian-speaking sample. The approbation of the AESTHEMOS was carried out in accordance with modern psychometric standards. The methods of parallel and exploratory factor analysis, as well as structural equation modeling, were used to assess structural validity; correlation analysis was used to assess convergent and divergent validity; and the Ferguson coefficient in the Hankins modification was used to assess discriminativity. A sample consists of 473 people (Мage = 23.4; SD = 4.9; Me = 22), of whom 327 are women and 146 are men, 40% of whom have been pursuing an undergraduate degree and 60% have already obtained at least one at the time of approbation. The sample was gathered from May to June 2023, near the various Moscow cultural centers. In the study, the following psychodiagnostics tools were used: Trait Emotional Intelligence Questionnaire Short Form (TEIQue-SF), Engagement With Beauty Scale (EBS 2.0), Emotional Creativity Inventory (ECI), Self-Assessment Manikin (SAM), and Aesthetic Judgments Scale. The results showed that the AESTHEMOS has good psychometric properties: all the scales have a normal distribution and high consistency of points within the scales (Cronbach’s alpha ≥ 0.70). The AESTHEMOS has a high level of discrimination. ΔG = 0.99. The Russian-language version of the AESTHEMOS has constructive validity: the results showed that the AESTHEMOS has a seven-factor structure formed by 21 facets and good psychometric properties, which correspond to the original version (N = 243, χ2/df = 1.90, CFI = 0.965, RMSEA = 0.061). The results of the correlation analysis allowed us to conclude that the AESTHEMOS has convergent and divergent validity.

全文:

受限制的访问

作者简介

M. Shestova

Moscow Institute of Psychoanalysis

Email: shestova-ma@inpsycho.ru

PhD (Psychology), Associate Professor

俄罗斯联邦, 121170, Moscow, Kutuzovsky Prospekt, 34/14

М. Zabelina

Moscow Institute of Psychoanalysis

Email: terrvgrvm@gmail.com

Student of the Faculty of General and Clinical Psychology

俄罗斯联邦, 121170, Moscow, Kutuzovsky Prospekt, 34/14

U. Vasilchenko

Moscow Institute of Psychoanalysis

Email: lawpchelnikovaulyana@gmail.com

Student of the Faculty of General and Clinical Psychology

俄罗斯联邦, 121170, Moscow, Kutuzovsky Prospekt, 34/14

K. Anokhina

Moscow Institute of Psychoanalysis

Email: ksuanokh1na@gmail.com

Student of the Faculty of General and Clinical Psychology

俄罗斯联邦, 121170, Moscow, Kutuzovsky Prospekt, 34/14

E. Voldiner

Moscow Institute of Psychoanalysis

编辑信件的主要联系方式.
Email: voldiner@yandex.ru

Student of the Faculty of General and Clinical Psychology

俄罗斯联邦, 121170, Moscow, Kutuzovsky Prospekt, 34/14

参考

  1. Kornilova T.V. Cherty emocional’nogo intellekta (po TEIQue) kak prediktory stilevoj regulyacii prinyatiya reshenij. Psikhologicheskii zhurnal. 2023. V. 44. № 4. P. 82–92. (In Russian)
  2. Kornilova T.V., Shestova M.A., Pavlova E.M. Emocional’naya kreativnost’ v sisteme svyazej s emocional’no-lichnostnoj sferoj i implicitnymi teoriyami kreativnosti. Psikhologicheskii zhurnal. 2020. V. 41. № 4. P. 19–31. (In Russian)
  3. Krasavceva Yu.V. Predvoskhishchaemye i rezul’tiruyushchie emocii v regulyacii prinyatiya reshenij. Vestnik Moskovskogo gosudarstvennogo oblastnogo universiteta. Seriya: Psihologicheskie nauki. 2020. № 2. P. 18–33. (In Russian)
  4. Sabadosh P.A. Russkaya versiya SHkaly soprichastnosti krasote EBS (the Engagement With Beauty Scale): mnogochertnaya-mnogometodnaya model’ (na anglijskom yazyke). Psihologiya. Zhurnal Vysshej shkoly ekonomiki. 2017. V. 14. № 1. P. 7–21. (In English)
  5. Shestova M.A. Eksperimental’naya estetika i esteticheskie emocii: obzor zapadnyh trendov. Vestnik Moskovskogo gosudarstvennogo oblastnogo universiteta. Seriya: Psihologicheskie nauki. 2021. № 1. P. 47–54. (In Russian)
  6. Shestova M.A. Emocional’naya kreativnost’ v lichnostnoj regulyacii prinyatiya reshenij: kand. dis. M.: MGU. 2022. 246 p. (In Russian)
  7. Brieber D., Leder H., Nadal M. The experience of art in museums: An attempt to dissociate the role of physical context and genuineness. Empirical Studies of the Arts. 2015. V. 33. № 1. P. 95–105.
  8. Consoli G. The Cognitive Value of Aesthetic Emotions. Art & Perception. 2022. V. 10. № 4. P. 361–378.
  9. Diessner R. et al. Olfactory and gustatory beauty: Aesthetic emotions and trait appreciation of beauty. Psychology of Aesthetics, Creativity, and the Arts. 2021. V. 15. № 1. P. 38–50.
  10. Egermann H., Reuben F. “Beauty Is How You Feel Inside”: Aesthetic Judgments Are Related to Emotional Responses to Contemporary Music. Frontiers in Psychology. 2020. V. 11. P. 510029.
  11. Feng X. et al. Neural representations of visual aesthetic experience (VAE): a meta-analysis. Culture and Brain. 2022. V. 10. № 1. P. 1–26.
  12. George D., Mallery P. IBM SPSS Statistics 26 Step by Step: A Simple Guide and Reference. 16th ed. Routledge, 2009. 402 p.
  13. Hankins M. Questionnaire discrimination: (re)-introducing coefficient δ. BMC Medical Research Methodology. 2007. V. 7. P. 1–5.
  14. Kenett Y.N. et al. Aesthetic emotions are affected by context: a psychometric network analysis. Scientific Reports. 2023. V. 13. № 1: 20985.
  15. Liang X., Yang Y. An evaluation of WLSMV and Bayesian methods for confirmatory factor analysis with categorical indicators. International Journal of Quantitative Research in Education. 2014. V. 2. № 1. P. 17–38.
  16. Menninghaus W. et al. Aesthetic emotions are a key factor in aesthetic evaluation: Reply to Skov and Nadal. Psychological Review. 2020. V. 127. № 4. P. 650–654.
  17. Menninghaus W. et al. What are aesthetic emotions? Psychological review. 2019. V. 126. № 2. P. 171–195.
  18. Menninghaus W. et al. Towards a psychological construct of being moved. PloS One. 2015. V. 10. № 6: e0128451.
  19. Mesz B. et al. Aesthetic emotions in a mixed reality gastrosonic experience: an exploratory study. Digital Creativity. 2023. P. 1–16.
  20. Nawaz S., Omigie D. Investigating the interaction of pleasantness and arousal and the role of aesthetic emotions on episodic memory using a musical what-where-when paradigm. Cognition and Emotion. 2023. V. 37. № 2. P. 320–328.
  21. Nummenmaa L., Hari R. Bodily feelings and aesthetic experience of art. Cognition and Emotion. 2023. V. 37. № 3. P. 1–14.
  22. Schindler I. et al. Measuring aesthetic emotions: A review of the literature and a new assessment tool. PloS One. 2017. V. 12. № 6: e0178899.
  23. Scherer K.R. Which emotions can be induced by music? What are the underlying mechanisms? And how can we measure them? Journal of New Music Research. 2004. V. 33. № 3. P. 239–251.
  24. Schoeller F., Perlovsky L. Aesthetic chills: knowledge-acquisition, meaning-making, and aesthetic emotions. Frontiers in Psychology. 2016. V. 7: 1093.
  25. Schubert E. The aesthetic emotion Lexicon: A literature review of emotion words used by researchers to describe aesthetic experiences. Empirical Studies of the Arts. 2024. V. 42. № 1. P. 3–37.
  26. Silvia P.J., Nusbaum E.C. On personality and piloerection: Individual differences in aesthetic chills and other unusual aesthetic experiences. Psychology of Aesthetics, Creativity and the Arts. 2011. V. 5. № 3. С. 208–214.
  27. Skov M., Nadal M. There are no aesthetic emotions: Comment on Menninghaus et al. (2019). Psychological Review. 2020. V. 127. № 4. P. 640–649.

补充文件

附件文件
动作
1. JATS XML
2. Fig. 1. Results of parallel factor analysis (N = 473)

下载 (86KB)
3. Fig. 2. Results of parallel factor analysis (N = 230)

下载 (94KB)
4. Fig. 3. Eigenvalues ​​of factors (N = 230)

下载 (123KB)

版权所有 © Russian Academy of Sciences, 2024
##common.cookie##