The Motive of Punishment of Sinners in the Fine Art of the Romanesque Style
- Autores: Tyomkin V.A.1
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Afiliações:
- Moscow State Linguistic University
- Edição: Nº 3(871) (2023)
- Páginas: 158-164
- Seção: Cultural studies
- URL: https://journals.rcsi.science/2542-2197/article/view/352214
- ID: 352214
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Resumo
This article is devoted to various interpretations of the motive of punishment of sinners at the Last Judgment in the Romanesque sculpture. Four examples were chosen: the tympanums of the Cathedral of Saint-Lazare in Autun and the Basilica of Sainte-Foy in Conques, the mosaic of the Church of the Ascension of Mary on the island of Torcello and the capitals of the church of Saint-Pierre in Chauvigny. The motive is realized in a wide range of artistic solutions - from symbolism to specifics, from metaphor to fiction.
Sobre autores
Victor Tyomkin
Moscow State Linguistic University
Autor responsável pela correspondência
Email: vitem222@mail.ru
PhD (History), Associate Professor at the Department of World Culture
RússiaBibliografia
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- Tyazhelov, V. N. (2011). Romanskoye iskusstvo = Romanesque art. Moscow: Belyy Gorod. (In Russ.)
- Tyomkin, V. A. (2015). Reflection of the concept of pilgrimage in the architecture and the sculptural decoration of the church of Sainte-Foy in Conques (France). Vestnik of Moscow State Linguistic University, 13 (724), 165–180. (In Russ.)
- Geese, U. (2017). L’âge roman : Architecture et culture de l’image au Moyen Age classique de 1020 à 1250 // Sous la direction de R. Toman. Potsdam : H. F. Ulmann publishing GmbH.
- Crozet, R. (1969). Chauvigny, Saint Savin. Paris: Arts et tourisme.
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