Design of Immersive Scenes in Chinese Ink Painting: A Five-Sensory Experience Approach

This research explores fusing traditional Chinese ink painting with digital immersive technologies (VR/AR, holography, touch sensors), focusing on creating multi-sensory experiences. It examines the unique aesthetic language and philosophical foundations of ink painting, particularly the "unity of man and nature," essence over realism, and fluid spatio-temporal composition. The study analyzes how effectively these technologies transmit ink painting's artistic language, using practical cases like the "Dream on the River" digital pavilion. A core contribution is developing a "synergy of the five senses" model for immersive scene design. This multisensory approach aims to overcome the limitations of the two-dimensional plane, deepen aesthetic appreciation, and create an environment where viewers feel like "traveling inside the painting." The primary goal is to provide new technical and aesthetic strategies for the living preservation of traditional cultural heritage, enhancing its appeal and accessibility, especially for younger generations. An interdisciplinary methodology combines art history, digital technology, and sensory perception. Theoretical analysis deciphers ink painting's philosophy and aesthetics, while case studies (like "Dream on the River") systematically evaluate the effectiveness of translating artistic features into immersive environments. The key scientific novelty lies in proposing and applying the "synergy of the five senses" concept to immersive exhibition design. Moving beyond predominantly visual approaches, this study offers a holistic model activating all senses for a comprehensive aesthetic experience. This opens new prospects for preserving and revitalizing traditional art digitally and establishes a foundation for further research into cross-modal interaction within art and design.

painting, China ink, design, immersive, experience, scenes, culture, heritage, sense, China