The combination of heterogeneous philosophical principles in the work of A.N. Vertinsky

The genius of A.N. Vertinsky, who illuminated the Russian stage at the beginning of the last century, continues to arouse wide interest among representatives of the expert community up to the present moment. The specifics of the creativity of such a diverse personality remains still not fully understood, and the interpretations of scientists often suffer from inconsistency. Meanwhile, a number of features of his work need further consideration and analysis, in particular, the philosophical principles of his poetry. The methodological basis of the study was an integrated approach containing descriptive, comparative and content analysis. The synchronistic method and the method of generalization were also productively used when writing the work. The empirical basis was the artistic works of A.N. Vertinsky. The article talks about the unsurpassed performing skills, the pronounced intonation-plastic score of the performer of his own songs, which became the key to his success on the stage. The author characterized the main philosophical principles of A.N. Vertinsky's poetry, traced the syncretism of his poetry, music and performing skills on extensive creative material. In addition, the role of connections between heterogeneous philosophical principles that determine the features of the art world constructed by the maestro is revealed. The enduring value of the intellectual heritage of the pop idol of the first half of the twentieth century for the national culture is noted.

Alexander Vertinsky, philosophical beginnings, poetry, syncretism, creativity, artistry, image, stage play, pop song, Russian culture