Browse Title Index

Issue	Title	File
No 2 (2024)	«I Ching» in Chinese music: composition method of Chung Yiu Kwang	(Rus)
Tang T.
No 4 (2024)	«New dilettantism» like one of the strategies of metamodern music	(Rus)
Khrushcheva N.A.
No 2 (2025)	Accompaniment in chamber vocal music as an independent branch in the history of piano art	(Rus)
Serov Y.E.
No 5 (2023)	Adolphe Nourrit is singer of the July Revolution	(Rus)
Wang S.
No 3 (2024)	Bach's traditions in polyphonic works for piano by Chinese composers	(Rus)
Cao X.
No 4 (2023)	Capriccio for piano and orchestra by I. Stravinsky (between baroque and modern style models)	(Rus)
Han X.
No 3 (2023)	Chinese and French traditions in Chen Qigang's Piano Concerto	(Rus)
Li Y.
No 2 (2024)	Chinese calligraphy in music: from gesture to sound	(Rus)
Ding C.
No 6 (2023)	Creative rotation in conceptual art: Marcel Duchamp is a composer, John Cage is an artist.	(Rus)
Balbekova I.M.
No 2 (2024)	Dialogism of Turkic ethnic cultures of the Lower Volga Region in the aspect of semiotic philosophical concepts of the XX century	(Rus)
Usmanova A.R.
No 3 (2025)	Diamond in a double bass setting	(Rus)
Gorbunov N.Y.
No 2 (2023)	Erkki Melartin: Life Marked by Death, Music for Life	(Rus)
Sycheva G.S.
No 3 (2024)	European trends in Chinese music of the “New Wave” of the 20th - early 21st centuries	(Rus)
Li Y.
No 1 (2024)	Evolution of the forms of sources on classical dance technique in the methodological literature of the second half of the 15th – first half of the 20th centuries	(Rus)
Zhirova V.V.
No 2 (2024)	Female chamber vocal cycle of the 1960s–1970s and the “new folk wave”. Part 1. In search of intonational authenticity	(Rus)
Shkirtil' L.V., Serov Y.E.
No 1 (2023)	Following the Footsteps of Russian Tuvian Folk Music Scientists	(Rus)
Kyrgys Z.K., Ondar B.V.
No 3 (2024)	"From the Black Box" by Kirill Molchanov: Sergey Yakovenko's artistic reading of the musical and prose text of the vocal cycle	(Rus)
Podguzova O.A.
No 1 (2025)	Harmonic Analysis as a Method to Build a Musical Composition Model	(Rus)
Zakharov Y.K.
No 2 (2023)	Historiography of the study of mytho-religious songs of Ossetians before the 1930s.	(Rus)
Dzlieva D.M.
No 4 (2024)	Imagery and semantic dramaturgy in the cantata "Now always snow" ("Jetzt immer Schnee") by S. Gubaidulina	(Rus)
Shirieva N.V.
No 1 (2023)	Investigation of the Peculiarities of the Metrorhythmic Organization of Onegin's Vocal Part in P.I. Tchaikovsky's Opera "Eugene Onegin"	(Rus)
Vasheruk I.I.
No 2 (2023)	Moscow Jazz School of the 1950s and 1960s: leading soloists and collectives	(Rus)
Ovchinnikov P.L., Zaitseva M.L.
No 4 (2024)	Musical and poetic features of the ossetian religious and mythological song "Uastyrdzhiyy zaræg"	(Rus)
Dzlieva D.M.
No 5 (2023)	On the Pedagogical Priorities of Teachers-vocalists of the Initial Period of Activity of the Saratov Conservatory	(Rus)
Rudyakova A.E.
No 3 (2025)	On the Study of the Stylistic Features of Accordion Music of the Peoples of the Northern Caucasus	(Rus)
Sokolova A.N., Ligidov A.H.
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