Email this article Existential analysis philosophy of art creation
- Authors: Ledovskih N.P.1, Belomoeva O.G.2
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Affiliations:
- Ryazan State University named after S.A. Yesenin
- Ogarev Mordovia State University
- Issue: Vol 19, No 7-8 (2019)
- Pages: 50-53
- Section: Philosophical sciences
- URL: https://journals.rcsi.science/2410-3764/article/view/26263
- DOI: https://doi.org/10.17816/2072-2354.2019.19.7-8.50-53
- ID: 26263
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Abstract
The article is devoted to the principles of existential analysis and the possibility of its application, when we study the art creation. We present the methods of existential analysis: the selection of «semantic matrices», the search for a rational grain, including in a situation of semantic uncertainty, which makes it possible to reveal the embedded meanings in any sign-symbolic systems, to analyze the reality created by a person/society. Existential analysis is particularly productive for the study of artistic creation. The authors demonstrate the possibilities of using existential analysis in the visual arts, tracing the evolution of Christian images. Three images of the Crucifixion are analyzed — Dionysius, Matthias Grunewald and Alain Wilbox paintings from the collection of Robert Harris Rothschild.
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##article.viewOnOriginalSite##About the authors
Natalya P. Ledovskih
Ryazan State University named after S.A. Yesenin
Author for correspondence.
Email: ledoster@gmail.com
Doctor of Philosophy, Professor of the Department of Cultural Investigations
Russian Federation, RyazanOlga G. Belomoeva
Ogarev Mordovia State University
Email: o_belomoeva@mail.ru
Doctor of Cultural Investigations, Candidate of Philosophy, Professor of the Department of Theatre and Folk Art
Russian Federation, SaranskReferences
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