Transformation of Yuri Kazakov's Prose translated by Fei Qin into Chinese

The subject of the study is the features of the reception of Yu. P. Kazakov's prose in China. Translations of Kazakov's prose into Chinese have not yet been discussed in science, which determines the novelty of the proposed study. In general, the transformation of the Russian literary text, which takes place when translated into Chinese, has been the subject of active study in recent years, and the relevance of the subject of the article is connected with this.The object of the study is translations of Kazakov's works made by Fei Qin, who most consistently turned to his texts in China. The article draws on the data of Fei Qin's biography, uses historical and literary approaches, as well as elements of linguopoetic analysis to solve comparative problems. Russian writer Fei Qin (1927-1994)'s analysis of the creative path makes it possible to understand the internal reasons for the appeal to this Russian writer of the Chinese writer, who since the 1950s was fond of Russian lyrical prose, the same age as Kazakov. A comparison of Kazakov's story "The Night" and the translation of this story by Fei Qin demonstrates the inevitable differences between them, despite the translator's declared desire to accurately convey the meaning of the original text. Some of the most expressive differences are due to the fact that the Chinese translator, interpreting modern Russian prose written by his peer, includes elements peculiar to classical Chinese poetry (onomatopoeia with doubling of hieroglyphs, some traditional images), introduces personifications that are absent in the original work. It is also shown why the literal translation, which in some cases is resorted to by Fei Qin, does not allow to convey the semantic complexity of the original.

Y. Kasakov, K. Paustovsky, I. Turgenev, M. Prishvin, Fei Qin, lyrical prose, Russian-Chinese literary relations, sound imitations, literary translation, classical Chinese poetry