The Recovery of the Dead in the Creative Work of A. Platonov
- 作者: Spiridonova I.A.1
-
隶属关系:
- Petrozavodsk State University
- 期: 卷 16, 编号 2 (2018)
- 页面: 194-213
- 栏目: Articles
- URL: https://journals.rcsi.science/1026-9479/article/view/295313
- DOI: https://doi.org/10.15393/j9.art.2018.5201
- ID: 295313
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The article explores the evolution of one of the central themes of A. Platonov’s work — the recovery of the dead. It has evangelical origins and is inextricably linked with the problems of life, death, immortality, salvation. The complex attribution of actualized artistic nominations and their equivalents to different sources can be traced in its development. In the revolutionary eschatology of the young Platonov (1910–1920), the reinterpretation of the New Testament view of the opposition of life-death, remythologization and utopian transcription of the evangelical images and plots is traced. In the novel “Chevengur”, in the works of the 1930s–1940s the restoration of meanings and symbols of the New Testament takes place. The Christian code plays an important role in the creative work of Platonov. In the development of the theme of the recovery of the deceased, the writer’s evolution appears as the return to the sources of folk spirituality and faith.
作者简介
Irina Spiridonova
Petrozavodsk State University
编辑信件的主要联系方式.
Email: verses@onego.ru
Doctor of Philology, Professor of the Department of Classical Philology, Russian Literature and Journalism
俄罗斯联邦, Petrozavodsk参考
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