Features of Tibetan music and its role in the development of creativity of the individual
- Authors: Huang W.C.1
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Affiliations:
- Bashkir State Pedagogical University named after M. Akmulla
- Issue: No 3 (2025)
- Pages: 391-395
- Section: Articles
- URL: https://journals.rcsi.science/2541-8459/article/view/371700
- ID: 371700
Cite item
Abstract
the study relevance is due to the growing interest in non-traditional methods of stimulating cognitive functions and developing the creative potential of the individual. The research goal is to identify the features of Tibetan music and determine its potential role in the development of creativity of the individual. The research objectives are: 1) analysis of the musical characteristics of Tibetan music, including structure, rhythm, melody and timbre; 2) study of the cultural and religious context of Tibetan music, determination of its symbolic meaning; 3) theoretical substantiation of the mechanisms of influence of Tibetan music on cognitive processes involved in the generation of new ideas. The research methodology is based on the psychological and pedagogical approach and includes the methods of the general scientific group (analysis, generalization, synthesis, comparison, formal logical method), as well as a number of special methods: historiographic analysis of the scientific discourse of the research topic; method of culturological and musicological analysis. As a result, the following conclusion was formulated: Tibetan music has a multifaceted effect on the development of creativity of the individual, implemented by both psychophysiological and cultural-semiotic components of the individual's activity.
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