On the Restoration of the Northern Stalls of the Ostankino Estate Amusement Park

The authors discusses the issues that arose when making adjustments to the project documentation with the performance of the function of a technical customer for carrying out repair and restoration work with an adaptation for modern use of windows of federal significance "Ostankino Manor, the end of the XVIII century". The possible ways of solving the problems of creating an image of the garden of its heyday - the end of the XVIII century - the first quarter of the XIX century are presented and analyzed. The arguments justifying design decisions when choosing planting material are demonstrated. The authors focus their attention on this aspect, as one of the numerous markers of the representation of local historical phenomena - in this case, the development of a certain park object. The scientific novelty of the work is connected with the identification of all factors and combinations of planning elements of the estate, which determined the achievement of that aesthetic expressiveness, which determines the status of the object as a cultural heritage and national treasure. We believe that when carrying out new restoration work, it is necessary to raise the question of restoring "flower beds" in historical outlines. In modern conditions, when the scale of the Ostankino park has changed, its functional purpose has changed, it would be wrong to suggest restoring "flowerbeds", while using tree and shrub vegetation. Six "klomps" are formed in accordance with and on the basis of these iconographic materials. The proposed floral assortment is similar to the solutions of the front yard – herbaceous peony (Latin Paeónia), hosta (Latin Hósta), lily (Latin Lílium) and spring flowering ephemeroids.

restoration, theater, parterre, method of analogies, planting material, pantheon of arts, manor, ensemble, plans, monument