The intertextuality of visual and verbal works by naive artist Nadezhda Spirina

In modern humanities, it is customary to consider naive art and naive literature as two separate phenomena. Based on this approach, the study of naive fine art is given over to art criticism, and the study of naive literature remains within the framework of philology and linguistics. Culturology explores culture as the historical and social experience of people, which can manifest itself in their work and is interpreted in the "cultural texts" of art. This article actualizes the need to move from narrowly focused research to a comprehensive approach: contextual study of visual and verbal works of naive artists. The objects of this study are paintings and poems by the naive artist Nadezhda Spirina (Ivanovo region, the city of Yuzha). The subject of the research is the aesthetics and poetics of the intertextuality of the works of a naive artist. The aim of the work is to analyze the stylistics and composition of paintings in combination with the poetic texts of the author. Tasks – search for intertextual references and reminiscences in the works of N. Spirina, the disclosure in her works of various practices of the author's self-reflection, testing the hypothesis of expanding the status of the work of a naive artist as a cultural text, taking into account the semantic features of verbal utterance for the perception and reading of the visual text, that is, the intertextuality of works of naive art. Synchronistic, comparative, biographical, psychological, semiotic, cultural and historical analysis are used. The scientific novelty of the research lies in the analysis of the stylistics and composition of the paintings of a naive artist in combination with the poetic texts of the author, which makes it possible to more accurately interpret the artist's mission, which forms his naive utterance.

naive art, naive artist, naive literature, naive author, narrative, verbal texts, visual texts, intertextuality, Nadezhda Spirina, Ignatiy Chapkin