Lyrical miniatures by Grigory Petnikov: historical and cultural context
- Authors: Tsaregorodtseva S.S.1, Pogodina Y.Y.1
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Affiliations:
- Issue: No 5 (2023)
- Pages: 116-124
- Section: Articles
- URL: https://journals.rcsi.science/2409-8698/article/view/379882
- DOI: https://doi.org/10.25136/2409-8698.2023.5.40809
- EDN: https://elibrary.ru/TZDBWC
- ID: 379882
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Abstract
Grigory Nikolaevich Petnikov (1894-1971) was a Russian and Ukrainian poet, translator, publisher. He actively published as a poet during the futuristic period (1913-1922), when he joined the literary avant-garde, was the Second Chairman of the Globe and one of the founders of the Kharkov publishing house "Liren". Since the mid-20s, Grigory Petnikov has been mainly engaged in translations and is still better known as a translator of myths of Ancient Greece, fairy tales of the brothers Grimm, Ukrainian and Belarusian folk tales, poems by Taras Shevchenko, prose by Ivan Franko, Marko Vovchok, German poetry. The second period of Grigory Petnikov's poetic creativity began with the time of the thaw and lasted until the last years of the poet's life. In 1958, Petnikov moved to the Crimea, wrote a lot and actively published as a poet. The article attempts to analyze the late poems-miniatures of Grigory Petnikov from his last lifetime collection "Lyrics", published in 1969. Special attention is paid to the genre and style features of Petnikov's lyrical miniatures, the cultural and historical context of the poems; an attempt is made to determine whether the poems from the collection "Lyrics" belong to the poetic trends and trends in the lyrics of the Silver Age.
About the authors
Svetlana Sergeevna Tsaregorodtseva
Email: alatas@mail.ru
ORCID iD: 0000-0002-2510-2324
Yuliya Yur'evna Pogodina
Email: yypogodina@fa.ru
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