Performative studies in the actor-network theory (“technological performativity” in works of G. Kien)
- Authors: Goryacheva EA1
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Affiliations:
- National Research University — Higher School of Economics
- Issue: No 4 (2013)
- Pages: 15-23
- Section: ARTICLES
- URL: https://journals.rcsi.science/2313-2272/article/view/340714
- ID: 340714
Cite item
Abstract
The article considers some theoretical and methodological prerequisites of shaping the concept of «technological performativity» in the works of modern researcher G. Kien whose approach can be characterized as interdisciplinary. Among the numerous existing preconditions of this concept, the author focuses primarily on G. Austin`s theory of speech acts, as well as G. Butler`s gender studies.
About the authors
E A Goryacheva
National Research University — Higher School of Economics
Author for correspondence.
Email: mistyjer@gmail.com
Chair of General Sociology
References
- Kien G. Global Technography. Ethnography in the age of mobility. — N.Y.: Peter Lang, 2009.
- Law J., Singleton V. Performing technology's stories: On social constructivism, performance and performativity // Technology and Culture. — 2000. — No 4.
- Butler J. Gendernoe bespokojstvo // Antologija gendernoj teorii / Pod red. E. Gapovoj, A. Usmanovoj. — Minsk: Propilei, 2000.
- Wulf C. K genezisu social'nogo. Mimezis, performativnost', ritual. — SPb.: Intersocis, 2009.
- Austin J. Performativy-konstativy // Filosofija jazyka / Red.-sost. Dzh. R. Serl. — M.: Editorial URSS, 2010.
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