TV series as a means of representing people with autistic personality traits in the system of social coordinates
- Authors: Shesterkina L.P.1, Vazhenina O.A.1
-
Affiliations:
- South Ural State University” (national research university)
- Issue: Vol 23, No 1 (2018)
- Pages: 103-114
- Section: JOURNALISM
- URL: https://journals.rcsi.science/2312-9220/article/view/334500
- DOI: https://doi.org/10.22363/2312-9220-2018-23-1-103-114
- ID: 334500
Cite item
Full Text
Abstract
As a phenomenon of mass media, the television series emerged at the turn of the 1940s-1950s. and today the television series occupy a special place in the cultural space. Theorists involved in television media issues highlight a wide range of social functions of this medium of communication. The television series for a long time was in the cultural “ghetto”, pushed to the periphery of both socially approved forms and research attention. However, in practice this form is historically rooted in culture. The principle of seriality is a cross-cutting for modern culture. The television series left the “parental locus” of television and confidently spread to all media space. TV series create and broadcast a certain image of the cultural hero of our time. Beginning in 2004, the format of serials about characters that are not diagnosed autistics or savants is becoming popular on television, however, personality traits characteristic for highly functional people with autism spectrum disorders are present in their entirety. In the mid-2000’s. a powerful trend is formed for the construction and translation into cultural space of a certain anthropological type. With extremely rare exceptions, an image of a highly functional autistic-savant or a person with Asperger’s syndrome is projected into the cultural space. the analysis of domestic and foreign serials showed that by now a stable system of positive direct and reverse links between television and society has been formed on the problem of the representation of images of people with autistic personality traits and their acceptance by society
Keywords
About the authors
Lyudmila Petrovna Shesterkina
South Ural State University” (national research university)
Author for correspondence.
Email: 250852@mail.ru
doctor of philological science, professor, professor, Dean of the Faculty of Journalisme, Department of Journalism and mass communications
Lenin prosp., 76, Chelyabinsk, Russia, 454080Olga Anatolyevna Vazhenina
South Ural State University” (national research university)
Email: vazheninaoa@susu.ru
assistant priofessor, Department of Journalism and mass communications
Lenin prosp., 76, Chelyabinsk, Russia, 454080References
- Kuznetsov G.V., Tsvik V.L., Yurovskiy A.Ya. Televizionnaya zhurnalistika [Television journalism]. Moscow: Vysshaya shkola Publ., 2002. (In Russ).
- Grabel’nikov A.A., Volkova I.I., Gegelova N.P. Organizatsiya informatsionnogo proizvodstva na televidenii [Organization of information production on television]. Moscow: RUDN Publ., 2008.
- Vartanova E.L. Faktory modernizatsii rossiyskikh SMI i problema sotsial’noy otvetstvennosti [Factors of modernization of Russian media and the problem of social responsibility]. Mediaskop. 2009; (1): 15.
- Vartanova E.L. Televidenie tsifrovoy epokhi: k postsetevoy i interaktivnoy modeli [Television digital age: to the post-network and interactive model]. Ot tsentral’nogo k tsifrovomu: Televidenie v Rossii [From central to digital: Television in Russia]. Voronezh: Voronezhskiy gosudarstvennyy pedagogicheskiy universitet Publ., 2014. P. 1—26.
- Vartanova E.L. Televidenie: postsetevaya model’ [Television: post-grid model]. Iskusstvo kino. 2015; (4): 111—122.
- Dzyaloshinskiy I.M. SMI i obshchestvennye instituty: perspektivy vzaimodeystviya [Media and public institutions: prospects for interaction]. Mediaskop. 2008; (2): 19.
- Dzyaloshinskiy I.M. Tolerantnost’ i mul’tikul’turalizm — tsennostnye orientiry SMI [Tolerance and Multiculturalism — Values of the Media]. Natsional’nyy psikhologicheskiy zhurnal. 2011; (2): 122—125.
- Dzyaloshinskiy I.M. Zhurnalistika souchastiya. Kak sdelat’ SMI poleznymi lyudyam? [Journalism of complicity. How to make the media useful to people?] Moscow: Prestizh Publ., 2006.
- Urazova P.L. O gumanitarnykh praktikakh sovremennykh ekrannykh tekhnologiy [About humanitarian practices of modern screen technologies]. Vestnik VGIK. 2011; (8): 74—83.
- Urazova P.L. Sovremennoe televidenie v predelakh ekrannoy kul’tury [Modern television within the screen culture]. Vestnik Novosibirskogo gosudarstvennogo universiteta. Seriya: Istoriya, filologiya. 2012; 11 (6): 24—30.
- Van Ju., Gegelova N.S. Osobennosti razvitija mobil’nogo internet-smi v Kitae [Features of the development of mobile Internet-media in China]. Vestnik Rossijskogo universiteta druzhby narodov. Serija: Literaturovedenie, zhurnalistika. 2016; (3): 119—126.
- Gegelova N.S. Kul’turno-prosvetitel’skaja rol’ telekanala «Rossija K» [Cultural and educational role of the TV channel “Russia K”]. MediaAl’manah. 2012; (6): 16—20.
- Gegelova N.S. Kul’turnaja missija rossijskogo televidenija [The cultural mission of Russian television]. Vestnik Rossijskogo universiteta druzhby narodov. Serija: Literaturovedenie, zhurnalistika. 2010; (2): 96—103.
- Volkova I.I. Igra i televidenie v jekrannom prostranstve [Game and television in the screen space]. Vestnik RUDN. Serija: Literaturovedenie, zhurnalistika. 2011; (4): 66—71.
- Gegelova N.P. Kul’turno-prosvetitel’skaya missiya televideniya [Cultural and educational mission of television] [dissertation]. Moscow, 2012. (In Russ).
- Urazova P.V. Televidenie kak institutsional’naya sistema otrazheniya sotsiokul’turnykh potrebnostey [Television as an institutional system for reflecting sociocultural needs] [dissertation]. Moscow, 2012. (In Russ).
- Tsvik V.L. Televidenie perekhodnogo perioda [Television of the Transition Period]: Tendentsii i problemy reformirovaniya v usloviyakh informatp. rynka [dissertation]. Moscow, 1997. (In Russ).
- Belen’kiy Yu.M. Stanovlenie zhanrov otechestvennykh serialov [Formation of genres of domestic serials] [dissertation]. Moscow, 2012. (In Russ).
- Karasik V.I. Teleserial «Zvezdnye vrata» kak lingvokul’turnoe yavlenie [The TV series “Stargate” as a lingua-cultural phenomenon]. Medialingvistika. 2016; (2): 39—50.
- Muratov P.A. Paradoksy mnogoseriynosti [Paradoxes of multiseries]. Vestnik Moskovskogo universiteta. Seriya «Zhurnalistika». 2009; (4): 26—35.
- Plevako P.V. Poetika teleseriala «Doktor Khaus» (SShA, 2004—2012): narrativ, mifologiya, pragmatika [Poetics of the television series “House, M.D.” (USA, 2004—2012): narrative, mythology, pragmatics]. Uchenye zapiski ZabGGPU. 2013; (2): 196—204.
Supplementary files
