METAMORPHOSES OF THE RENAISSANCE AT THE HERMITAGE: THE SOUND OF THE PAINTING AND THE FILM

The article focuses on two works of art: the painting “Female Musicians” by the Master of the Female Half-Lengths from the Hermitage Museum collection and the piece “At the Hermitage” from the film “Melodies of a White Night” composed by Isaac Schwartz. The author aims to give an example of using musical pastiche in the field of movie music with the idea of inclusion of a painting within the media text structure.

ISAAC SCHWARTZ, “MELODIES OF A WHITE NIGHT”, FILM MUSIC, PASTICHE, RENAISSANCE, BAROQUE, PAINTING, HERMITAGE, “FEMALE MUSICIANS”, MASTER OF THE FEMALE HALF-LENGTHS, CLAUDIN DE SERMISY, CLÉMENT MAROT