Development of an onstage costume design project of Udmurt national costume based on the books on national clothing
- Authors: Sazykina I.A.1
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Affiliations:
- Udmurt State University
- Issue: Vol 15, No 2 (2023)
- Pages: 225-236
- Section: Cultural Studies
- Submitted: 10.12.2025
- Accepted: 10.12.2025
- Published: 19.07.2023
- URL: https://journals.rcsi.science/2076-2577/article/view/357008
- DOI: https://doi.org/10.15507/2076-2577.015.2023.02.225-236
- ID: 357008
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Abstract
Introduction. The article discusses the problem of developing ethnic onstage costumes for folk bands. The steps of the development of the design project of the Udmurt onstage ethnic costume for the in the studio of the artists are based on the materials found in the books on folk clothing. It also considers the involvement of the students from the Institute of Arts and Design of the Udmurt State University.
Materials and Methods. The study is based on modern research on the Udmurt national costume, summarized in the works of specialists studying the national costumes of the Finno-Ugric peoples, primarily M. K. Zavyalova and S. Kh. Lebedeva. The article employs general research methods such as system analysis, comparison, semantic analysis, as well as an integrative method.
Results and Discussion. The Udmurt national female costume is characterized by such features as sacredness and symbolism. Women's clothing is streaked with symbols. From ancient times, the Udmurts endowed clothes with magical properties reflected in the ornament. The study of the history of the national costume as an integral part of the life of an ethnic group is a very important cultural task. The research by of S. Kh. Lebedeva and M. K. Zavyalova considered the main source of ideas for the creation of design projects for the onstage costumes, made by the artist, the author of the article, for the Udmurt folk band “Њardon” and the Cultural and Tourist Center “Tol Babai Estate”. The students of the Institute of Arts and Design of the Udmurt State University took an active part in this process.
Conclusions. At present, the Udmurt national costume has practically disappeared from the everyday life of this ethnic group. Under such conditions, the importance of research by ethnographers, the specialists in costumes, art critics, and historians is increasing. An important contribution to the preservation of national culture is made by folk art bands. A variety of stage costumes is achieved by the work of a costume designer.
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About the authors
Irina A. Sazykina
Udmurt State University
Author for correspondence.
Email: sazykina@internet.ru
Candidate Sc. {Art History}, Associate Professor, Department of Computer Technologies and Art Design, Member of the Union of Designers of Russia, Honored Artist of the Udmurt Republic
Russian Federation, IzhevskReferences
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