Literature in the Cultural Context

期	标题	文件
卷 16, 编号 4 (2024)	The Cultural Anxieties in the Ghost Story by Edith Nesbit ‘From the Dead’ (1893)	(Rus)
Kriukova V.
卷 16, 编号 4 (2024)	The Novel ‘Crime and Punishment’ in the Socio-Cultural Context of China of the 1920s	(Rus)
Lan X.
卷 16, 编号 4 (2024)	Fictionalized Biography in the French Graphic Novel of the 21st Cen-tury (based on works by B. Egger and M. Poirson & R. Maraï)	(Rus)
Prudius I.
卷 16, 编号 4 (2024)	The Phenomenon of Childhood and the Image of the Child in G. Hauptmann’s Late Drama ‘Iphigenie in Aulis’	(Rus)
Sklizkova A.
卷 16, 编号 4 (2024)	‘Now for me you are exactly this, and not not that’: Correspondence Between Leo Tolstoy and Pavel Annenkov	(Rus)
Andreeva V.
卷 16, 编号 4 (2024)	The Works of Andrei Volos in Modern Literary Studies and Criticism	(Rus)
Badiei Khamseh Fard H.
卷 16, 编号 4 (2024)	The Character of a Statesman in the Novels of Leo Tolstoy and Anthony Trollope (Alexey Karenin and Plantagenet Palliser)	(Rus)
Gnyusova I.
卷 16, 编号 4 (2024)	Reception of the Story of Faust in Modern Prose: ‘Mock Faustus’ by Margeris Zarins Translated into Russian	(Rus)
Seifert E.
卷 16, 编号 3 (2024)	‘The word of Daniil Zatochnik’: problems of studying and ways to solve them	(Rus)
Syromyatnikov O.
卷 16, 编号 3 (2024)	The implied author in the old english poems of the ‘School of Caedmon’ and the ‘School of Cynewulf’	(Rus)
Yatsenko M.
卷 16, 编号 3 (2024)	‘I’m a Historian by Training…’. history in the scientific, journalistic and literary discourses of Vladimir Sharov	(Rus)
Abasheva M., Kiose O.
卷 16, 编号 3 (2024)	Allegory and allusion in the fairy tale ‘Dried Vobla’ by Mikhail Saltykov-Shchedrin	(Rus)
Alyakrinskaya M.
卷 16, 编号 3 (2024)	The artist-spy in V. Nabokov’s short story ‘The Assistant Producer’: the representation of sensorial and aesthetic experience	(Rus)
Drozdova A.
卷 16, 编号 3 (2024)	The philosophical ideas of Søren Kierkegaard and Gabriel Marcel in Walker Percy’s Novel ‘The Moviegoer’	(Rus)
Nikulina A.
卷 16, 编号 3 (2024)	How to defeat a dragon, or medical sources of lapidary and herbarium motifs in J. Metham’s chivalric romance ‘Amoryus and Cleopes’ (1449)	(Rus)
Semyonov V.
卷 16, 编号 3 (2024)	‘Crisante’ (1639) by J. de Rotrou, a play based on a historical plot: the search for a new tragedy	(Rus)
Simonova L.
卷 16, 编号 2 (2024)	D. F. Wallace’s ‘E Unibus Pluram: Television and U.S. Fiction’ as a key to the understanding of American culture and society: an analysis of main themes in the context of ‘infinite jest’(1996) and ‘The Pale King’ (2011) Novels	(Rus)
Kaiavo V.
卷 16, 编号 2 (2024)	Chekhovian images and themes in the album of the ‘Zveri’ Band ‘Every-where is a desert to the lonely man’	(Rus)
Lochmelis E.
卷 16, 编号 2 (2024)	‘Militia Romance’ by Zakhar Prilepin: a new word about war	(Rus)
Markova T.
卷 16, 编号 2 (2024)	Literary ‘Daguerreotypes’ of the Maikov family: the story ‘Evil Illness’ by Ivan Goncharov and a friendly caricature ‘So they rented a dacha!’ by Vladimir Solonitsyn	(Rus)
Pavlovich K.
卷 16, 编号 2 (2024)	‘Camera is the eye of history’: on the genre-forming potential of photo-graphic ekphrasis in G. Swift’s novel ‘Out of This World’	(Rus)
Poluektova T.
卷 16, 编号 2 (2024)	On one feature of the english historical novel at the turn of the 20th – 21st centuries: reflecting on the article by Jerome de Groot	(Rus)
Proskurnin B.
卷 16, 编号 2 (2024)	Associate Professor in the Department of Romance Philology	(Rus)
Tereshchuk A.
卷 16, 编号 2 (2024)	War and the future of mankind: different editions of andrei Platonov’s story ‘The iron old woman’	(Rus)
Khriashcheva N.
卷 16, 编号 2 (2024)	The image of mother in the novels ‘Betrayed by Rita Hayworth’, ‘Kiss of the spider woman’, ‘Pubis Angelical’ by Manuel Puig	(Rus)
Chagina A.
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