Restoration of time: Henry Bergson and Vladimir Nabokov
- Authors: Berezhnov D.A.1, Ledevev A.V.1
-
Affiliations:
- Lomonosov Moscow State University
- Issue: Vol 28, No 3 (2023): Chekhov’s Time and Chekhov in Time
- Pages: 530-539
- Section: LITERARY CRITICISM
- URL: https://journals.rcsi.science/2312-9220/article/view/319067
- DOI: https://doi.org/10.22363/2312-9220-2023-28-3-530-539
- EDN: https://elibrary.ru/LAVAJO
- ID: 319067
Cite item
Abstract
The purpose of the study is to interpret the idea of “restoring time”, common to the texts of the Russian writer Vladimir Nabokov and the French intuitionist philosopher Henri Bergson. The concept of “restoration of time” in Vladimir Nabokov’s texts, viewing it through the lens of Henri Bergson’s philosophy is explored. According to Nabokov “time is essentially memory in the process of its unfolding”. Moreover, that memory itself is a dynamic and never-changing process. Therefore, the conventional notion that restoring the past is simply about retrieving previous “moments” does not hold true in Nabokov’s approach. As a result of studying the phenomenon, it is concluded that in Nabokov’s system the restoration of time (the past) should become the restoration of the very movement of our memories, constantly “flowing” to the present. The reconstruction of time (the past) should focus on capturing the very movement of our memories, which continuously flow from the past to the present. Bergson referred to this movement as the basis of “pure memory” phenomenon, understood as the constant pressure of memories on the present and as the essence of “duration”: genuine inner time, that cannot be divided into moments, but rather is an uninterrupted ever-growing stream of our impressions. Thus, the Bergson’s philosophy effectively addresses numerous Nabokovian issues, both peripheral and central.
Keywords
About the authors
Denis A. Berezhnov
Lomonosov Moscow State University
Email: inlitdenisberezhnov@yandex.ru
ORCID iD: 0000-0002-0680-4136
postgraduate student, Faculty of Philology
1 Leninskie Gory, bldg 51, Moscow, 119991, Russian FederationAlexander V. Ledevev
Lomonosov Moscow State University
Author for correspondence.
Email: aledenev@mail.ru
ORCID iD: 0000-0001-9069-9369
Doctor of Philology, Professor, Professor of the Department of Russian Literature of the 20th Century and Modern Literary Process, Faculty of Philology
1 Leninskie Gory, bldg 51, Moscow, 119991, Russian FederationReferences
- Averin, B.A. (2003). Mnemosyne’s gift: Nabokov’s novels in the context of the Russian autobiographical tradition. St. Petersburg: Amfora Publ. (In Russ.)
- Barabtarlo, G. (2021). Insomniac dreams. St. Petersburg: Izdatel'stvo Ivana Limbaha Publ. (In Russ.)
- Bergson, A. (1992). Collected works. Vol. 1. Time and free will. Matter and memory. Moscow: Moskovskii Klub Publ. (In Russ.)
- Bergson, A. (2001). Creative evolution. Moscow: Terra-Knizhnyj Klub Publ. (In Russ.)
- Blumbaum, A. (2007). Antihistoricism as an esthetic position (on the problem of Nabokov and Bergson). Novoe Literaturnoe Obozrenie, (4), 134-168. (In Russ.)
- Boyd, B. (2001). Vladimir Nabokov. The Russian years. St. Petersburg: Simpozium Publ. (In Russ.)
- Dolinin, A.A. (2019). Real life of a writer Sirin. Works about Nabokov. St. Petersburg: Simpozium Publ. (In Russ.)
- Glynn, M. (2007). Nabokov and Bergson. Vladimir Nabokov. New York: Palgrave Macmillan. https://doi.org/10.1007/978-1-137-10907-1_4
- Lyaskovets, T. (2013). Approaching Nabokov with Bergson on time: Why spatializing time? Kaleidoscope, 5(2). Retrieved January 24, 2023, from https://community.dur.ac.uk/kaleidoscope/index.php/kaleidoscope/article/view/70
- Mattison, L. (2013). Nabokov’s aesthetic Bergsonism: An intuitive, reperceptualized time. Mosaic, 46(1), 37-52.
- Nabokov, V.V. (2002). Russian period. Collected works. Vol. 4. The gift. Invitation of Beheading. Stories. St. Petersburg. (In Russ.)
- Nabokov, V.V. (2008). Russian period. Collected works. Vol. 5. Enchanter. Solus Rex. Other shores. Stories. Poems. St. Petersburg. (In Russ.)
- Nabokov, V.V. (2009). Russian period. Collected works. Vol. 2. Mary. King, queen, knave. The defense. Stories. Poems. St. Petersburg. (In Russ.)
- Nabokov, V.V. (2022). Ada, or Ardor. Family chronicle. Moscow: AST Publ., Coprus Publ. (In Russ.)
- Poulet, G. (2009). The theme of the panoramic vision of the dying and juxtaposition. PMLA, 126(2), 483-499.
- Shakhovskaya, Z.A. (1979). In search of Nabokov. Paris: La Presse Libre. (In Russ.)
- Toker, L. (2002). Nabokov and Bergson on duration and reflexivity. Nabokov’s World, 1, 132-140.
- Zlochevskaya, A.V. (2012). Creative memory as the dominant element for V. Nabokov in the novel “The Gift”. Voprosy Literatury, (4), 88-113. (In Russ.)
Supplementary files
