Oblomov. Sybaritism, entropy, decadence: inaction as a form of life

This article attempts to conceptualize Oblomov’s laziness and apathy as an existential-philosophical project. At its core lies an artistic gesture that envisions existence detached from the paradigm of action — a paradigm that, in Western civilization, is increasingly replacing being itself (Giorgio Agamben). Drawing on Aristotle’s distinction between tragedy and comedy, which is based on the opposition of the categories of action and character, the article argues for Oblomov’s belonging to the comic sphere. His inaction, volitionlessness, and sybaritism manifest a specific form of life, a mode of being rooted in the realm of potentiality. Certain symbolic objects — the dressing gown, dust, and the letter (both as an action and as an object) — function as structural elements around which the force lines of a unique narration mode, devoid of action, are constructed. The predominance of gesture over action is captured in residual forms of life, visually correlating with the Flemish painting tradition: suspension, stasis, and the remains of movement create a space of enigmatic absent presence, imbued with a vague longing for potentiality.